Assassin’s Creed Mirage, the 13th installment in Ubisoft’s popular franchise, is set to be released on October 5th, a week earlier than originally planned. To help players determine when they can start playing, Ubisoft has provided global release times for both PC and console. In general, the game will be available in the early hours of October 5th, with some regions getting a head start on PC late in the evening of October 4th. Pre-loading is already available for Mirage.

For instance, in Los Angeles, the game will be playable on PC starting at 10 p.m. PDT on October 4th, while console players can start at midnight PDT on October 5th. Similar release times apply to other regions such as Montreal, London, Stockholm, Kyiv, Mexico City, Sao Paulo, New York, Paris, Abu Dhabi, Johannesburg, Shanghai, Tokyo, Seoul, and Sydney. It’s worth noting that Assassin’s Creed Mirage will also be released on the iPhone 15 and iPhone 15 Max Pro in the first half of 2024, although the exact release date is yet to be announced.

As the release date approaches, Ubisoft has urged fans to avoid sharing spoilers. Mirage follows the character Basim Ibn Ishaq, who was introduced in Assassin’s Creed Valhalla, and promises a return to the series’ roots with an emphasis on stealth and linear storytelling. To learn more about the game, players can check out hands-on previews and interviews with Narrative Director Sarah Beaulieu. The successful early release of Assassin’s Creed Mirage marks an exciting moment for fans of the franchise eagerly awaiting the next installment.

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Exploring the graffitied Oceanwide Plaza building in downtown L.A.

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Despite his absence from the Los Angeles graffiti scene in recent years, an artist known as Actual couldn’t resist the opportunity to take part in a monumental graffiti effort at an abandoned development in the city. The Oceanwide Plaza development, which was abandoned in 2019, has been transformed with eye-catching graffiti covering dozens of floors, capturing worldwide attention and sparking discussions about urban blight and foreign investment. To the graffitists and experts, this “bombing” is more than a stunt or a crime – it’s a historic moment, a culture landmark that has taken the art form to new heights, quite literally.

Despite the undeniable rise of graffiti to the mainstream, the debate over whether it is art or vandalism has been reignited by this bold act. The effort, however, has not been without controversy, as legal repercussions for the graffitists are already underway. Although some have condemned the artists for their actions, others see the graffiti as a powerful commentary on the state of Los Angeles and the failure of oversized development. The artists themselves are split on their motivations, with one expressing the thrill of the project’s high visibility in the heart of the city, while another sees it as a way to reclaim the city for its young residents.

For those involved, the opportunity to transform the abandoned development with vibrant graffiti was simply too good to pass up. However, as the legal and social implications of their actions continue to unfold, these graffitists have reignited an age-old debate about the nature of their art and its place in society.

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