In an article exploring films that resonate with pre-Trumpian times, several notable works were highlighted for their political and inspirational significance. The discussion begins with “The West Wing,” a series that has captivated a wide audience with its portrayal of political ideals, leading even reluctant viewers to immerse themselves by its later seasons. Bradley Whitford, a star from the series and now part of “The Handmaid’s Tale,” humorously remarked on how his career seems to reflect the trajectory of democracy itself.
The article suggests a collection of films to revisit the ethos of earlier political eras. “The Seduction of Joe Tynan,” with Alan Alda in the lead, showcases a senator’s moral stand against a racially prejudiced Supreme Court nomination. “Being There,” featuring Peter Sellers, portrays a simpleton’s accidental rise in political commentary. Classic films like “Mr. Smith Goes to Washington” and “The American President” emphasize themes of integrity and the challenges faced within political systems.
“The West Wing” is lauded as perhaps the finest television series, renowned for tackling a breadth of issues, including episodes on Gaza and immigration. Another notable film, “The Candidate,” starring Robert Redford, presents a satirical yet poignant view of political campaigns.
A section of the piece commends journalists portrayed in films like “All the President’s Men” and “Good Night and Good Luck,” which depict the pivotal role of media in uncovering truths during political crises. Comedic entries like “Dave,” “Wag the Dog,” and “Charlie Wilson’s War” were recognized for their ability to entertain while providing sharp societal commentary.
The article also pays homage to films honoring those who defend democracy, such as “Born On the Fourth of July” and “Coming Home.” These stories delve into the sacrifices made by individuals and the personal aftermath of participation in war.
Finally, the piece recognizes Melvyn Douglas as an actor frequently cast in political roles, bringing to life various portrayals of political figures throughout his career. Overall, the article invites readers to reexamine these significant cultural works as reminders and inspirations from pre-Trumpian times.
