In the 1985 kung fu fantasy film “The Last Dragon,” directed by Michael Schultz, audiences are introduced to a New York kung fu student named Leroy, portrayed by the actor Taimak. Leroy embarks on a quest to achieve the final level of enlightenment, taking him across the city in search of a master to guide him, while facing challenges from Sho-nuff, the self-proclaimed “Shogun of Harlem,” played by Julius Carry. Sho-nuff is intent on challenging Leroy to demonstrate his own supremacy.
The film resonated strongly with many viewers, although understanding the reasons for this connection can be elusive. Reflecting on “The Last Dragon” after nearly four decades reveals not just its appeal, but also its remarkable quality beyond initial impressions. The film, initially perceived as carrying elements of danger, is, in fact, a joyful and sincere exploration of its unique blend of martial arts mythology and urban culture sensitivities unfamiliar to some audiences.
Leroy’s pursuit of enlightenment and his conflict with Sho-nuff drive the main storyline. Another subplot involves Eddie Arkadian, a wealthy arcade owner portrayed by Christopher Murney, attempting to coerce a popular singer and TV host named Laura, played by Vanity, into promoting his girlfriend Angie’s music videos. Each attempt by Eddie to intimidate Laura sees Leroy heroically intervening, creating an unexpected romantic connection between Leroy and Laura, highlighting Leroy’s lack of social skills due to his dedication to martial arts.
“The Last Dragon” stands out for its distinctive originality, amalgamating martial arts action with 1985’s pop culture moments. Laura’s television show resembles a fusion of MTV and “Soul Train,” exhibiting the vibrant 1980s fashion and energy. Eddie’s girlfriend Angie is depicted as a Cyndi Lauper-like character, enhancing the film’s humor and style.
The relationship between Leroy and Laura enriches the narrative, adding humor and charm through their endearing awkwardness. Leroy’s younger brother, Richie, characterized by Leo O’Brien, introduces further comedic elements with his confident and charismatic demeanor, offering a contrast to Leroy’s naive innocence.
Taimak’s portrayal of Leroy evokes a sense of warmth and loyalty, providing a unique interpretation of a martial artist. Vanity successfully brings depth to Laura, convincingly portraying a character swept away by unexpected romance. The performances of O’Brien and Carry add to the film’s dynamic storytelling.
While incorporating significant action sequences, the film climaxes with Leroy’s realization of his true potential, symbolized by the discovery of the “glow,” leading to the defeat of Sho-nuff. This culminates in a poignant scene, eliciting nostalgia and embodying Schultz’s adept integration of various cinematic elements, crafting a memorable cinematic experience.
As “The Last Dragon” concludes, viewers are left with a sense of fulfillment and nostalgia, evoking vivid memories of its iconic ending. The film transcends its era, offering a multifaceted exploration of cultures paired with entertaining action, ultimately achieving a timeless appeal. Although currently not streaming, “The Last Dragon” remains accessible on Blu-ray and surfaces on streaming platforms intermittently, celebrating its 40th anniversary on March 22.
