Located between an elementary school and a public library in Brooklyn’s Greenpoint neighborhood, a unique coworking space has been introduced. Named the Chat Haus, this space resembles a traditional coworking office, complete with individuals typing on keyboards, others on phone calls, and some pausing for coffee breaks.
The notable difference is that Chat Haus is designed for AI chatbots, with everything, including the people, constructed from cardboard. The Chat Haus serves as an art exhibit created by Brooklyn artist Nim Ben-Reuven. It features cardboard robots simulating work at computers, powered by small motors. A sign humorously advertises desk space for $1,999 a month, describing it as “A luxury co-working space for chatbots.”
Ben-Reuven explained to TechCrunch that the exhibit was his way of humorously coping with the increasing influence of AI in fields like graphic design and videography, where he works. He noted that AI advancements have begun impacting his freelance opportunities.
Ben-Reuven expressed the exhibit as an expression of frustration combined with humor, aiming to avoid bitterness as the industry evolves. He wanted to ensure the exhibit didn’t convey a negative message, as he believed art with a negative tone tends to corner itself and requires justification. Presenting a lighter tone ensures the display is accessible to audiences of all ages and perspectives on AI.
While Ben-Reuven discussed the exhibit at a nearby cafe, various groups stopped to observe the Chat Haus, including millennials capturing photos and young students asking questions.
Despite the industry challenges posed by AI, Ben-Reuven commented that these changes are relatively minor compared to other global issues, such as war and trauma.
Cardboard has long been a staple in Ben-Reuven’s art. He previously created a life-size cardboard airport terminal during grad school, and in between freelance projects, he developed cardboard robots. These “cardboard babies,” as he calls them, serve as both an inventive choice and a commentary on AI’s interaction with creative industries. He likened the temporary nature of cardboard to their perceived fragility under scrutiny, similar to some AI-generated works.
Ben-Reuven acknowledged the appeal of AI-generated art, comparing it to the quick satisfaction of junk food.
The Chat Haus is a temporary exhibit, pending renovation permits for the building. Ben-Reuven hopes to maintain the display until mid-May and potentially relocate to a larger gallery. He humorously concluded by describing the concept of “cute, creepy, baby robots” tirelessly working away on prompts, highlighting the energy demands parallel to a nation’s usage.
The display is currently visible at 121 Norman Avenue in Greenpoint, Brooklyn, New York.
